Thanks,,
     Our cam was fitted with a high grade Ziess lens that cost a fortune
even then,
Rod
On 09/03/2016 18:03, COURYHOUSE at 
  ""The cameras (they were huge) and the
darkend rooms they worked
 in no  longer exist.""
 These cameras  you speak of were wonderful....  I  rode a  Robetson   for
 part of a summer  making halftones and line  shots  for a print shop in  AZ
 here.  In my off time  I was  allowed  to  shoot  all the old  docs  and old
   Eastman Kodak camera catalogs  I wanted to and print them  up as
 posters!  The  lens was a Goerz Red Dot  Artar and the  sharpest  flat  field  lens
   I  had ever  used!!
 Back to computer panels.... Rod  thanks for  doing the   work  to create
 these!
 ed#  _www.smecc.org_ (
http://www.smecc.org)
 In a message dated 3/2/2016 3:32:48 P.M. US Mountain Standard Time,
 rodsmallwood52 at 
btinternet.com writes:
 Hi  Guys
 Having  got  8/e (A & B)  plus 8/f and  8/m into
 production its  time I made a few comments.
 The aim has always been to reproduce the  original panels using the
 process DEC used all those years  ago.
 Needless to say we had to go through the learning curve with only
 photographs, scans and one 8/m original
 panel to go on.
 In the  interests of origiality I have kept what we used call 'features'
 as found  in the documentation and the sample we had.
 I'm trying to reproduce the  original, not produce an improved or fixed
 version.
 The only  process deviations I have allowed myself are as  follows:
 1. The original versions would have been drawn twice full size by
 hand on matt paper in indian ink.
 One sheet per colo(u)r would have been requred. They would
 then have used  a process camera
 to reduce to one to one  positive masters on clear acetate film.
 The cameras (they were huge) and the darkend rooms they worked
 in no  longer exist.
 I used to do  just that in the early '70's but whats weird is
 where I worked is less  than 50 yards
 from the silk screen  studio doing the work now.
 Now  I use Inkscape and its layers to do the same thing. The
 screeners have an  Epson printer
 the size of a piano  to print my layers in black onto clear
 film. After that the process is the  same as it was.
 They take a fine  meshed cloth streched onto a frame. Its
 coated (by hand) with a photo  sensitive
 emulsion, when dry it  gets exposed through the master using
 a UV light source.
 The the parts proteced by black on the master are  water
 soluable and get washed out  and hence
 let the ink through. So one screen per layer is  required
 2.      DEC would have printed the images  first and routed or milled the
 holes using some kind jig later.
 As long as the hole stayed inside the white  line that was
 deemed to be OK.
 We drill (laser cut) first and screen  afterwards.
 Regards
 Rod